这份过于私人的自传式表达遭遇苏联业内一片质疑和不满，成为他创作生涯中一次激烈的争议。老搭档尤索夫拒绝执镜，认为这部作品过于自我；与他一同撰写《安德烈・卢布廖夫》剧本的旧友冈察洛夫斯基在看过影片后直言：“塔可夫斯基关心的并不是永恒的真理，而完全是他自己。”塔可夫斯基从未妥协，正如他在日记中所写的，电影于他从来不是一份谋生的职业，而是“与上帝的对话”，是内心的祈祷。这份对创作的执念同样体现在《潜行者》的拍摄中，也让他付出了沉重的代价。
Isaacman closed out the CBS interview by saying flight-tested hardware, a revitalized work force and a more Apollo-like management strategy are only part of the story.
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When it comes to churning out sequels, the horror series has a higher bar to clear than its sisters in slasher. It's not enough to make a movie that's scary and funny, with a big reveal-the-killers moment at the end. They also have to be smart, speaking to fans who not only made 1996's Scream a genre-shifting success but also fans who've grown up on these movies and demand they keep up with the genre critique across 30 years of evolution.